Fonds consists of one scrapbook assembled by Ethel and Anne Longfellow during their attendance at Smith College, Massachusetts between 1902-1906. The scrapbook contains correspondence, photographs, programmes, clippings, notes and ephemera detailing the academic and social life of the sisters.

Fonds contains autographs collected by Eugene Ferrin Clark from various British and American actors. Correspondence from Clark to various people soliciting autographs and autographed photographs are included.

Correspondence:
1. Granville Barker also G. Barker’s autograph
2. John Randolph Bolling; November 23, 1921
3. Witter Bynner, New York; December 12, 1921/December 21, 1921
4. W. L. George, New York; October 22, 1920
5. B. Roland Lewis, University of Utah; December 14, 1919/December 19, 1919
6. Joseph Pennell, London/Philadelphia; June 8, 1913/November 16, 1919
7. G. Rollin, Chicago; May 10, 1919

Autographs collected by Clark:
8. George Arlis, Walter Hampden, Victor Herbert, William Hodge, James Hunellar, Oliver Lodge, Nance O’Neil, Eugene O’Neill, A.C. Read, Chauncey Brewster Tinker

Photographs:
9. Floral Tributes on Grave of Actor James O’Neill, 1920 and photographs with autograph signatures of:

• Nazimova, n.d.;
• Henry Irving dated 1894;
• Anton Lang as Jesus dated 1922;
• Anton Lang dated 1922;
• Guido Moyr dated 1922.

One accounts book kept by George W. Neale between the period 1850-1874. It is likely that Neale lived in the region of Loudon, New Hampshire and did business with those nearby. Others named in his account book include Newel Lovering, Luther Copp, S. Neale, Benjamin Neale, Samuel B. Lovering, Alonzo B. Lovering, Alvin S. Taylor, Isaac B. Giddings, Stephen Moore, John Messer, Warren Gleason, and Dick Rogers.

Collection consists of one undated typescript letter to Joseph Jefferson from Jan Larue in Iberia Parish, Louisiana. The letter requests Jefferson put in a good word for Larue. Also included is an undated photograph card of Joseph Jefferson, taken by Gilbert & Bacon studios in Philadelphia.

Photograph album compiled by Mabel E. Neiley during her time working as a nurse in the U.S. Army Nurse Corps. Album reflects the life of a Canadian woman who emigrated to the United States in the early 20th Century and worked in the medical profession during the First World War and the 1918 Influenza pandemic.

Album includes photographs and postcards featuring photographs of the experiences of Mabel E. Neiley during her time as a U.S. Army nurse. Photographs capture nurses in uniform at the hospitals and barracks, nurses taking care of patients, nurses socializing with each other and with soldiers, and nursing posing in different areas of the hospital facilities. Album also contains photographs of soldiers by themselves and official visits (including one of possibly Edith and Woodrow Wilson).

According to annotations in some photographs, images were taken at Walter Reed hospital (Washinton DC, U.S.A), Camp Gordon (Georgia, U.S.A), and Columbus Barracks (Ohio, U.S.A).

A group of correspondence from Minnie Roberts, to her friend Eda Fuhrman. Minnie sent the letters to Eda who was still living in Kitchener, while she was living and working as a nurse in New York City. The letters detail her experiences as a nurse, her private life, and her thoughts on friends and family.

Collection consists of materials created and accumulated by Paul S. Burtness and Warren U. Ober relating to their research on the events surrounding the attack on Pearl Harbor during World War II. Includes correspondence with prominent members of the U.S. Forces during World War II, as well as published articles that came out of the research.

One photograph album capturing moments of gender expression in the early 20th Century. The album contains family and school photographs, and the images of gender expression centre around a group of students on what appears to be a school trip in Pennsylvania. People who appear to be assigned female at birth are shown wearing typical male clothing of the time, or dressed en homme, and people who appear to be assigned male at birth are shown wearing typical female clothing of the time, or dressed en femme. Beginning in the 1840s laws were passed across the United States criminalizing the act of appearing in public “in a dress not belonging to his or her sex" and the activities of this group of students would have still been illegal at this time. It is unclear if the people in the images are cross-dressing as a form of gender expression, entertainment or sexual fetish, or if they are transgender or gender non-conforming.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

Fonds consists of materials created and accumulated by Stan Johannesen over the course of his education, teaching career, and pursuit of personal interests. Includes correspondence, course materials created as a professor at the University of Waterloo and continuing education lecturer at Laurier University, juvenilia, and a variety of published and unpublished fiction and non-fiction works.

One theatre contract between Asa Steele and Robert B. Mantell for Asa to work beginning on August 31, 1896. Robert agrees to pay Asa $50 per week for her services at a theatre, opera house, or hall. The contact outlines the expectations for both parties as well as rules and regulations for the actor and how their pay may be docked if they break them.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

One broadside legal document for the recapture of an enslaved woman in Memphis, Tennessee. The writ of replevin and penal bond is by Sarah A. Hawthorn, by her next friend John Hawthorn. Next friend is a legal term for someone who appears in court in place of one who is not considered competent to do so. In this case, Sarah's husband John appeared on her behalf as Sarah, being a married woman, could not bring actions in Tennessee. The writ of replevin is filed against George W. Fisher who the Hawthorns claim was illegally holding an enslaved woman named Mary An. The writ also states that if the Hawthorns are found to be unlawful in their re-capture of Mary Ann they would pay a penal bond of $1,600.