Fonds contains autographs collected by Eugene Ferrin Clark from various British and American actors. Correspondence from Clark to various people soliciting autographs and autographed photographs are included.

Correspondence:
1. Granville Barker also G. Barker’s autograph
2. John Randolph Bolling; November 23, 1921
3. Witter Bynner, New York; December 12, 1921/December 21, 1921
4. W. L. George, New York; October 22, 1920
5. B. Roland Lewis, University of Utah; December 14, 1919/December 19, 1919
6. Joseph Pennell, London/Philadelphia; June 8, 1913/November 16, 1919
7. G. Rollin, Chicago; May 10, 1919

Autographs collected by Clark:
8. George Arlis, Walter Hampden, Victor Herbert, William Hodge, James Hunellar, Oliver Lodge, Nance O’Neil, Eugene O’Neill, A.C. Read, Chauncey Brewster Tinker

Photographs:
9. Floral Tributes on Grave of Actor James O’Neill, 1920 and photographs with autograph signatures of:

• Nazimova, n.d.;
• Henry Irving dated 1894;
• Anton Lang as Jesus dated 1922;
• Anton Lang dated 1922;
• Guido Moyr dated 1922.

One handbill advertising the publication of James Redpath's "The Public Life of Capt John Brown." Redpath and Brown were contemporaries and abolitionists and Redpath wrote this work the year after Brown's execution.

Collection consists of one undated typescript letter to Joseph Jefferson from Jan Larue in Iberia Parish, Louisiana. The letter requests Jefferson put in a good word for Larue. Also included is an undated photograph card of Joseph Jefferson, taken by Gilbert & Bacon studios in Philadelphia.

Collection consists of materials created and accumulated by Paul S. Burtness and Warren U. Ober relating to their research on the events surrounding the attack on Pearl Harbor during World War II. Includes correspondence with prominent members of the U.S. Forces during World War II, as well as published articles that came out of the research.

One photograph album capturing moments of gender expression in the early 20th Century. The album contains family and school photographs, and the images of gender expression centre around a group of students on what appears to be a school trip in Pennsylvania. People who appear to be assigned female at birth are shown wearing typical male clothing of the time, or dressed en homme, and people who appear to be assigned male at birth are shown wearing typical female clothing of the time, or dressed en femme. Beginning in the 1840s laws were passed across the United States criminalizing the act of appearing in public “in a dress not belonging to his or her sex" and the activities of this group of students would have still been illegal at this time. It is unclear if the people in the images are cross-dressing as a form of gender expression, entertainment or sexual fetish, or if they are transgender or gender non-conforming.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

Fonds consists of materials created and accumulated by Stan Johannesen over the course of his education, teaching career, and pursuit of personal interests. Includes correspondence, course materials created as a professor at the University of Waterloo and continuing education lecturer at Laurier University, juvenilia, and a variety of published and unpublished fiction and non-fiction works.

Fonds consists of materials created and accumulated by Stan Johannesen including seven diaries and original artwork for his novel Sister Patsy.

Collection consists of four files donated as part of the Sol Eisen collection of Canadiana. These items include a ms. of Mexican plays, a music manuscript, a receipt for work completed by a slave on chain gang, and materials related to the life of Frederic William Wile.

Materials published by Stark Brothers Nurseries for the purposes of advertising and selling their fruit trees, particularly apple trees.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

One broadside legal document for the recapture of an enslaved woman in Memphis, Tennessee. The writ of replevin and penal bond is by Sarah A. Hawthorn, by her next friend John Hawthorn. Next friend is a legal term for someone who appears in court in place of one who is not considered competent to do so. In this case, Sarah's husband John appeared on her behalf as Sarah, being a married woman, could not bring actions in Tennessee. The writ of replevin is filed against George W. Fisher who the Hawthorns claim was illegally holding an enslaved woman named Mary An. The writ also states that if the Hawthorns are found to be unlawful in their re-capture of Mary Ann they would pay a penal bond of $1,600.