Blurry photograph of Lydia Anthes and Martha Rieder standing on a set of steps leading down to a shoreline with a group of children, three of whom are likely Martha's.

Blurry photograph of Lydia Anthes and Martha Rieder standing on a set of steps leading down to a shoreline with a group of children, three of whom are seated with their legs hanging off the steps.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Postcard photograph of Martha Rieder sitting in a high-back chair on the porch of 58 Roy Street.

Head and shoulders studio portrait of Martha Rieder seen looking off camera and wearing a lace collared top.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Upper body studio portrait of Martha Rieder seen wearing glasses and looking at camera.

Head and shoulders studio portrait of Martha Rieder seen in profile and wearing a lace collared top.

Postcard photograph of Martha Rieder standing on the porch of 58 Roy Street.

Postcard photograph of Martha Rieder standing on the porch of 58 Roy Street.

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Postcard photograph of Martha Rieder standing on the porch of 58 Roy Street.

Upper body studio portrait of Martha Rieder seen wearing glasses and looking at camera.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen in front of a vine covered backdrop.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen seated in front of a vine covered backdrop.

Photograph of Lucie Edkins and Martha Rieder kneeling with heads between the rungs of a building railing and smiling toward camera.

File consists of miscellaneous snapshots, most of which were probably accumulated by Martha Rieder. Includes snapshots of Martha Rieder, her children, and grandchildren, as well as other family members and friends. Talmon Henry Rieder is present in some snapshots. Many photographs include members of the families of John C. and Carrie Breithaupt, Albert and Louisa Breithaupt, and H. Milton and Ella Anthes Cook; Alma and Eva Rieder are also present in some photographs.

Photographs were taken at Penetanguishene, Georgian Bay, on Lake Huron, Port Dalhousie and other travel destinations; at various cottages; at the Rieder home at 58 Roy Street in Kitchener; and other locations. File also includes a colour print-out of a photograph Margaret Paisley [?] and an unidentified woman.

File consists of mounted miscellaneous snapshots accumulated by Martha Rieder, most of them also probably taken by her. Includes snapshots of Martha and her family and friends, including her daughter Margaret and nieces and nephews; Talmon Henry Rieder is also present in some photographs. Includes snapshots taken at Penetanguishene, at picnics, at a factory, part of a May 24 procession, and other subjects.

Image of Paul Rieder sitting on the porch steps of 58 Roy Street. In the background a seated Martha Rieder and Lydia Anthes are visible looking on from the top of the steps.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Upper body studio portrait of Peter Rieder seen looking at camera.

Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

Head and shoulders studio portrait of Sam Rieder seen looking off camera.

File consists of one upper body studio portrait of Talmon H. Rieder, first manager of Dominion Tire, by W.D. Best, Berlin.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

File consists of two wedding portraits of Talmon Henry Rieder and Martha Anthes.

Phtograph of Martha, Helen and Marnie Rieder (centre) with Milton Cook (far right) and two unidentified children. The group is posed outdoors at the entrance and windows of a wooden gazebo.

Studio portrait of Mrs. Riener holding her son Earl with her face next to his cheek.

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

Copy print photograph of the exterior the Rittinger and Motz building on Queen Street South.

File consists of photographs of the products, facilities, and people of RMS from 1918 until the late 1960's or early 1970's. Includes photographs of the products manufactured at RMS; photographs of the RMS facilities, including interior and exterior shots, as well as some photographs taken at other Uniroyal facilities (e.g. St. Jerome, Elmira); and photographs (including group portraits) of employees in various departments, such as office staff, engineering & drafting, tool makers, and the operating council, and employees at work.

Some photographs were taken for use in company publications and sales and marketing material. File also includes some contact prints and one page of ms. notes. Some photographs include ms. annotations on verso. Some duplicate photographs are present.

File consists of five photographs used in the 1987 RNAO foundation historical appointment book. The photographs show nurses in uniform and at work in various activities, some of which were part of Toronto's Public Health Department.

Fonds consists of textual and visual materials created and received by Dorney over the course of his career, including drafts and reprints of most of his published writings, teaching and course materials, audio-visual materials, framed items, ephemera and realia. Of interest is an original map by Dorney which attempts to reconstruct the original vegetation patterns in North Dumfries Township in Waterloo County in the 19th century. Dorney's collection of slides is particularly significant in its documentation of natural vegetation, urban impact and areas of ecological interest both locally and elsewhere and includes extensive documentation of the "mini-forest" at his home at 124 Amos Ave. in Waterloo.

Photograph of a group of rocks with plants and moss growing on them.

Photograph of a crop of rocks on the edge of the water.

File consists of materials relating to the history and development of the Rockway Centre.

Film of blooming flower beds at Rockway Gardens. Taken on a sunny day the footage includes intermittent views of the what are likely the Janzen memorial water fountains. Film box includes handwritten notes about film that read: "Everything blooming! Fantastic".

File consists of materials relating to the history and development of Rockway Gardens.

Image of William Franklin kneeling in front of a detached safe door propped on a wooden box.

One image of the coach house and hayloft of the Rockwood Academy.

File consists of one hand coloured glass plate transparency showing Rockwood's Harris Woolen Mill. Also includes a CD with a scan of the image.