Fonds consists of Alice Hagen's correspondence, clippings, articles and ephemera relating to her work in pottery and ceramics. Includes correspondence with Elizabeth Long regarding her part in painting plates for the Canadian Senate's gift of hand-decorated china to Lord and Lady Aberdeen at the emd of the former's term as Governor General of Canada in 1898.

Materials created and accumulated by Bernard Suits over the course of his education and teaching career. Includes materials created as a student such as class notes and exams, materials created as a professor at the University of Waterloo including course outlines and exams, published and unpublished fiction and non-fiction works, correspondence, meeting minutes, and audio and visual recordings of Suits' lectures.

Eight handbound volumes. Bernt Vik attended a textile school in Sweden, possibly in Gothenburg. He and his classmates created handbound books of their notes and handouts because affordable texts from Europe and Scandinavia were not available. The volumes consist of mimeograph handouts of text, plus pasted in diagrams and illustrations. Some of the illustrations are mimeograph handouts, some are published illustrations or photographs. Also included are hand-drawn weaving diagrams as well as textile and wool samples.

Collection consists of materials created and accumulated by Bertram R. Davis on the history of Bristol and the romantics. Includes correspondence between 164 correspondents, 45 manuscript groups, research notes, photographs, clippings, articles, offprints, excerpts, and other ephemera. Also included is a file of correspondence from Bertram donated by Kenneth Curry and a file of correspondence relating to portraits of Southey donated by Dr. Warren U. Ober.

The collection centres on Robert Southey and Bristol and gives an overview of the social, political, and literary upheaval which gave birth to the Romantic movement and shaped the rest of the nineteenth century. The collection also contains material on Spain, Portugal and Brazil, Russia and Napoleon, France and the Revolution, as well as numerous works on travel in the British Isles and elsewhere. Also present is a selection of twentieth-century works which elucidate Bertram Davis' interests, friendships, and scholarly connections.

Almost all of Robert Southey's published works are represented, and almost all of these are in the first edition. Several works were formerly owned by Robert Southey.

The University of Waterloo has published a catalogue of the collection: Catalogue of the Bertram R. Davis "Robert Southey" Collection compiled by Jane Britton (PR4467 .U55x 1990).

The Breithaupt Hewetson Clark collection includes family papers the three families named; the Breithaupt family, the Hewetson family, and the Clark family. Made up of over several hundred cubic feet of archives, about 12,000 photographs, several thousand printed items and a large group of "subject and topical files" as well as plans, maps and drawings.

The largest set of family records are those related to the Breithaupt family of what is today Kitchener with the earliest documents being from the period of Liborious Breithaupt's emigration in 1843. A small group of family papers collected by Spencer Clark contains material on the Clark and Alexander families. Other families including the Devitt family of Waterloo and the Davis family of Brampton are also represented in the collection.

Also in the collection are records related to the Guild of All Arts (now the Guild Inn) in Scarborough, Ontario from its inception in 1932 to the 1980s. Founded by Rosa Breithaupt Hewetson Clark and Spencer Clark, the Guild began as a co-operative crafts community, and evolved primarily as a hotel and conference centre. In addition to Guild records, the Breithaupt Hewetson Clark collection holds smaller collections acquired by the Breithaupt family and by Spencer Clark. The personal library of Spencer Clark, which includes many books, periodicals, government documents, and ephemeral items, was donated together with the archival collections, and is particularly strong in the fields of urban planning, architecture, and Canadian art.

Materials include family papers from three families, the Breithaupt family, the Hewetson family, and the Clark family; records from the Guild of All Arts in Scarborough, Ontario, founded by Rosa Breithaupt Hewetson Clark and Spencer Clark; and several smaller collections acquired by the Breithaupt family and by Spencer Clark. The personal library of Spencer Clark, which includes many books, periodicals, government documents, and ephemeral items, was donated together with the archival collections, and is particularly strong in the fields of urban planning, architecture, and Canadian art.

Fonds consists of records documenting most aspects of the development of the Central Ontario Art Association, the events and activities of the association, and its administration and membership in the period from its formation in 1954 to about 2000, with some gaps in coverage. The records were accumulated by various members and some organization was imposed by the association for the purpose of researching its history.

Fonds includes correspondence, membership lists, flyers, announcements, programs, newsletters, exhibitors' catalogues, minutes, reports, the association constitution and by-laws, histories, forms and questionnaires, clippings, lectures and articles, photocopied information, photographs, slides, and other material.

Materials created or accumulated by Donna Jean MacKinnon during her professional life as a journalist. Includes articles written by MacKinnon in different news media and materials related to MacKinnon’s book Newsgirls : gutsy pioneers in Canada’s newsrooms (published in 2017), including research notes and interviews, drafts of the book in different phases, and records related to the publication of the book.

Sketchbook belonging to Helen Edmonds, dated July 1991, containing sketches in the style of Virgil Burnett. Most sketches are drawn with brown ink and feature people, landscapes, buildings, and sculptures. The sketchbook also includes watercolour sketches accompanied by notes and quotations.

The fonds consists of a single diary kept by Jane Urquhart from 1974 to 1981, before she began her writing career, and documents primarily several trips to Europe taken with Tony Urquhart. This diary served as a sketchbook, journal and trip diary, and contains drawings and sketches, photographs, ephemera, plant material, etc. Its 258 pages contain 71 sketches, drawings and watercolours including 27 by Tony Urquhart, 32 by Jane Urquhart, 2 by Michael Ondaatje and 10 by other artists.

Accrual consists of materials created and accumulated by Jane Urquhart relating to her personal and professional life. Includes manuscripts and typescripts of Urquhart's works, research materials, correspondence, biographical materials, and materials relating to other professional commitments.

Materials relate primarily to the professional life of John Herbert, between 1953 and 2001, including manuscript and typescript poems, plays, works and essays, as well as ephemera relating to his works. The ephemera covers publicity, advertising and programs of his theatre productions. Outside of his theatre career, there are also materials pertaining to his personal life. Newspaper clippings document his opinions on social issues such as homelessness, unemployment, and the rights of gays and lesbians. Herbert also wrote biographies and photographic histories of his own personal life from childhood to early adulthood. Other textual materials include published works mentioning Herbert in reviews of his works and life.

Materials relate primarily to the professional life of John Herbert, from 1940 to 1981, such as his literary works; theatre advertising, programs, and photographs; correspondences to critics, fans, his agent, and others; and reviews on his works. The literary works include drafts of his plays as well as manuscripts of his short stories and poetry.

Materials created or accumulated by Julia McCarthy during her professional and personal life. Includes journals and personal correspondence received by McCarthy, drafts of poems and anthologies, professional correspondence related to the publication of McCarthy's work, correspondence related to applications for grants and awards, awards received by McCarthy, interviews and articles about McCarthy, and work by and about other authors accumulated by McCarthy.

Material documenting Luella Creighton's student days at Victoria College, University of Toronto, 1924-1926. Her personal life is further documented through a series of diaries, 1963-1990. Most of the textual material in the fonds, however, relates to her career as a writer of both fiction and non-fiction, and consists of correspondence with her publishers and readers, reviews, manuscripts and typescripts of both published and unpublished works.

Materials created or accumulated by Lydia Dotto during her professional life. Includes published and draft articles and reports written by and about Dotto in different media; reviews of Dotto's books; research materials and interviews; video documentaries in which Dotto participated, collaborated, or accumulated for research purposes; drafts of speeches; awards and certificates received by Dotto throughout her career as a science and environmental journalist and writer; and related photographs and correspondence received by Dotto.

Contains materials by and about Mary Quayle Innis. Includes correspondence written mostly to her daughter, Anne Innis Dagg from 1956 to 1968, as well asnotes kept while Innis was Dean of Women at University College, 1954-1961. Also present are files compiled by Anne Innis Dagg, including a biographical essay on Mary Quayle Innis and files relating to a proposed collection of her short stories and pieces with an introduction by Anne Innis Dagg.

Fonds consists of material documenting Nancy-Lou Patterson's career as an "creative author" of both fiction and non-fiction, as well as poetry from 1950 to 1995. It contains correspondence, ephemera, manuscripts, typescripts and published pieces, as well as some photographs and artwork.

This accrual continues to add to the holdings of Nancy-Lou Patterson's most recent activities, writing and design work. Of particular interest, however, is the presence of a significant amount of "juvenile" and young adult work, both written and artistic. Compositions and notebooks from public and high school, short stories, poems, scrapbooks, projects created for art courses, all demonstrate her very early interest in art and writing.
The development of an artistic style is documented in her experiments in female "superhero" comics, her cartoon rendition of Tennyson, serious drawings to accompany poems, and illustrations for text.

Student portfolio created by Nancy-Lou Patterson and presented as a special art project in January 1947, possibly during her time at the University of Washington. Art project is of story The Princess and the Goblin and includes a front cover with a small illustration of a castle with mountains in the background, eleven drawings made by Patterson, and a back cover. Drawings were drawn with pencil and then coloured with watercolours. Drawings depict moments of the story of princess Irene and her friend Curdie, with bright colours and dynamic scenes, and include subtitles with information about the section of the story to which they belong. Sections are:

• Title page "The princess and the goblins" with subtitle "Special art project / January, 1947".
• Drawing of Irene and a woman with subtitle "There, Irene, is my work for you!"
• Drawing of Irene and a woman on a balcony with subtitle "She clapped her hands with delight."
• Drawing of Irene and her nursemaid Lootie by a river with goblins in the background with subtitle "We are lost, lost!"
• Drawing of Curdie in a mine watching goblins talk with subtitle "It was a goblin-voice...there could / be no doubt about that."
• Drawing of a Curdie in a cave watching goblins talk with subtitle "One of the court was now addressing / the multitude."
• Drawing of a woman with a spinning wheel with subtitle "'Come in, Irene,' she said again."
• Drawing of Irene walking in the night with subtitle "In a moment, the clouds them- / selves parted."
• Drawing of Irene walking in a forest with subtitle "[...] bit of gossamer is!"
• Drawing of Irene and Curdie in a cave with subtitle "Curdie gave a great rush with his / shoulder."
• Drawing of a battle between humans and goblins with subtitle "Curdie burst in like a small incarnate / whirlwind."

Fonds consists of material relating to the literary career of Rienzi Crusz. Includes material relating to his creative writing process; the critical reception of his work; his activities as a poet, such as readings, literary award judging, and grant applications; and biographical material. Includes ms. and ts. drafts of poems and books of poetry; correspondence; ms. and ts. notes, proposals, biographies, etc.; clippings; ephemera; published poems and reviews; and other material, including photocopied documents.
Fonds is arranged in 25 series:
1.01 Manuscripts : Poems : Individual
1.02 Manuscripts : Books
1.03 Manuscripts : Title Pages, Contents, Illustrations
3.01 Correspondence to Rienzi Crusz
3.02 Correspondence Written by Rienzi Crusz
3.03 Correspondence From Others to Others
3.04 Correspondence : Unidentified
3.05 Correspondence : Envelopes
4.01 Biographical : General
4.02 Biographical : Clippings
4.03 Speeches, Presentations, Conferences
4.04 Grants
4.05 Proposals : Publications, Research
4.06 Awards and Activities
4.07 Readings
4.08 Works by Rienzi Crusz : Announcements
4.09.1 Works by Rienzi Crusz : Reviews
4.09.2 Works by Rienzi Crusz : Criticism and Analysis
4.10 Business and Financial
4.11 Miscellaneous
5.01 Poems : Published in Anthologies
5.02 Poems : Published in Periodicals
6.01 Miscellaneous : Biographical Notes on Other Poets
6.02 Miscellaneous : Works by Others
6.03 Miscellaneous : Family

Accrual consists of materials created and accumulated by Rienzi Crusz, primarily relating to his professional life. Includes materials relating to his creative process; the critical reception of his work; his activities as a poet; and biographical materials. Includes handwritten and typed drafts of poems and works by Rienzi, poems published in anthologies and journals, works by others, correspondence, as well as materials relating to grants and proposals, biographical information, sound recordings and more.

Fonds consists of unpublished typescripts and manuscripts by Robert Alden Sanborn. Influenced by the work of Carl Jung, the unpublished works are predominantly related to Sanborn's interest in the social development of children and several of the drafts consist of narratives about young girls referred to as "Little Anna" and "Bunty". Also included is collected ephemera and correspondence between Sanborn and his family, colleagues and publishing contacts, including his editor Olive Burchfiel (1888-1960), as well as writing by Sanborn's mother, Mary Farley Sanborn, including a published version of "The Valor Ranch" (1914); a typescript version of the poem "My Eighth of May"; and a clipping of the poem "The Barrel-Stave."

The fonds documents Tony Urquhart's work as a painter, sculptor and teacher of art. Included is information on his earliest exhibited work as well as early correspondence and information on his activities relating to the arts in Canada. Of importance are his personal financial records as they relate to his work in lobbying to change the tax treatment given artists in Canada. A small amount of original art, i.e. working drawings, Christmas cards etc. is included.

Accrual consists of materials created and accumulated by Tony Urqhart relating to his personal life and his work as an artist. Includes materials showing his creative process; materials relating to his involvement in arts organizations; materials relating to exhibition and sales of his work; and materials related to his personal life. Includes correspondence, ephemera, advertisements, clippings, photographs and idea books.

Accrual consists of materials created and accumulated by Tony Urquhart relating to his professional life. Includes primarily slides of images of graveyards taken largely in France. Also includes material relating to the exhibit "Vimy and After: Drawings by Walter Seymour Allward" curated by Tony Urquhart.

Accrual consists of material relating to the artistic and literary career of Virgil Burnett. Includes sketchbooks with illustrations and life drawings; commonplace books with original works as well as copied quotations, passages and ephemera; manuscripts; poetry and plays; as well as writings by others given to Burnett.

Accrual consists of materials created and accumulated by Virgil Burnett that relate to his professional and personal life. Includes correspondence to and from Burnett, artworks and writings by Burnett and others, materials relating to the creation and publication of books written and illustrated by Burnett as well as those published by Pasdeloup Press, and other ephemera.