Photograph of yucca blossoms in southern California.

File consists of a programme for the Young People's Alliance of the Evangelical Association : 6th annual convention in Elgin, Illinois, September 3-6, 1897.

File consists of seven picture postcards, one col.

One broadside legal document for the recapture of an enslaved woman in Memphis, Tennessee. The writ of replevin and penal bond is by Sarah A. Hawthorn, by her next friend John Hawthorn. Next friend is a legal term for someone who appears in court in place of one who is not considered competent to do so. In this case, Sarah's husband John appeared on her behalf as Sarah, being a married woman, could not bring actions in Tennessee. The writ of replevin is filed against George W. Fisher who the Hawthorns claim was illegally holding an enslaved woman named Mary An. The writ also states that if the Hawthorns are found to be unlawful in their re-capture of Mary Ann they would pay a penal bond of $1,600.

File consists of paper doll advertisements. The first is a stand up paper doll of a sheep wearing a dress holding a duster advertising Enameline stove cleaner. The verso reads "Look out for imitations and parties who claim to have something 'just as good.' It is not as good. There's but one Enameline that's the best. For sale by all dealers. Manufactured by J.L. Prescott & Co. 11 Jay Street New York."; a set of six double sided paper dolls with two interchangeable heads, advertising Clark's O.N.T. Spool Cotton. The interiors of the dolls reads "if the child who receives this doll is sent to the store for thread she should ask for Clark's O.N.T. Spool Cotton and see that she gets it. Double Dolls "work and play" 12 in a set. By sending three 2 cent stamps, with name and address, to Clark's O.N.T. Spool Cotton Factory. Newark, N.J. a complete set will be sent by mail be careful to state that the double dolls are wanted."

Photograph of a woman in a street holding books in one hand with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Account book kept by William Henderson during the period 1841-1880. Some personal diary entries are also written, including a reference to William's 74th birthday and losing his sister's spectacles. William Henderson likely lived in Dover, New Hampshire and makes references to the Piscataque RIver, Wolfeboro New Hampshire, and Nottingham New Hampshire.

Head and shoulders studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Advertisement trade card for the White Mop Wringer Company of Fultonville, N.Y. Serving as a business card for representative M.D. Alger. Recto shows a woman using a mop wringer and the verso shows illustrations of two mop wringers, one for family use and the other for hotel use.

Leaflet titled "What do you mean fascism?" issued by the American League Against War and Fascism based in New York City. Includes mail in membership card and encouragement to read "Fight," a newspaper produced by the league.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

Upper body studio portrait of Portus B. Weare seen looking off camera.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

One carousel of slides. The slides are dated May 1973.

Head and shoulders studio portrait of an unknown man with a mutton chops beard looking toward the camera.

Full length studio portrait of a man looking toward the camera with right hand at back an the other on the back of an armchair.

Head and shoulders studio portrait of an unknown woman seen looking off camera.

Universal Clothes Wringer puzzle advertisement showing a young woman using a clothes wringer while a man looks in from the window. When the advertisement is held up to the light you can see that the man is looking in with a gun while the young woman leans in to kiss a young man and an older woman comes towards them brandishing a broom. As well, a caption on the advertisement becomes clear which reads "Buy the universal clothes wringer."

Head and shoulders studio portrait of unidentified woman seen looking directly at camera in hair short bangs and a high bun.

Hand-coloured photograph sent as a postcard to Miss Alberta Ritzer, Waterloo, postmarked Buffalo Sept. 20, 1906.

Head and shoulders studio portrait of unidentified teenager, dressed in suit, seen looking slightly off camera.

Head and shoulder studio portrait of unidentified teenager seen looking off camera and wearing a top with large leg of mutton sleeves.

Studio portrait postcard of an unidentified man in military uniform, seen smiling at camera, from the Bechler family photo album. Postcard made in the United States of America and bottom right corner of portrait signed Holloway.

Full body studio portrait of unidentified child seen looking at camera and standing with arm and foot propped on wicker chair.

Head and torso studio portrait of unidentified adult seated in arm chair.

Issues of the Ulster County Gazette, Kingston for January 4, 1800 and January 14, 1800.

File consists of one trip diary kept by Florence Bray. The diary details trips to Europe (1926), California (1938 & 1939), New York and Atlantic City (1932), Virginia (1950), Florida (1930 & 1938), Scotland (1892), Gaspe (1946), Muskoka (1946). Also included in the diary are addresses of people met while on trips, a list of hotels stayed in and a fold out map of the United States and Mexico. The 1926 trip to Europe is of particular interest, with descriptions of major European cities and First World War battlefields.

Tree Ball Washing crystal advertisement trade card showing an illustration of three women washing, hanging out, and ironing laundry. The women are accompanied by a dog and a bird in a cage. Verso reads "Nellie - mama, shall I go for the washerwoman, as you have been sick lately and are not able to do the washing? Mother - Oh no, my dear child, you just go to our grocer and get me a large 5 cents package of the Three Ball Washing Crystal, it makes washing so easy that no washwoman is required. Manufactured by C.H. Fischer & Co., New York"

File consists of transporation tickets from Napierville, Illinois.

File consists of one photograph of the 1946 training conference for independent biscuit manufacturers held March 25th-29th 1946 in Chicago.

File consists of publicity photographs from United States Rubber and Uniroyal of tires being tested primarily in Laredo, Texas. Note that United States Rubber was the former name of Uniroyal.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

One theatre contract between Asa Steele and Robert B. Mantell for Asa to work beginning on August 31, 1896. Robert agrees to pay Asa $50 per week for her services at a theatre, opera house, or hall. The contact outlines the expectations for both parties as well as rules and regulations for the actor and how their pay may be docked if they break them.

File consists of one menu for the Shanghai-Low restaurant and catering co. in St. Louis, Mo.

A lecture by Reverend Dr. Dean S. Psaras explaining the auras surrounding animate or inanimate objects. The lecture details how highly sensitive, psychic, or super receptive people can see/feel the aura. Psaras explains how aura reading works in the context of spiritualism, chakras, and what aura colours mean. The lecture was published by Churchill's of Birmingham in Lake Forest, Illinois.

A lecture by Dr. Dean S. Psaras detailing the principles of metaphysics and the mental philosophy of dealing with the nature and causes of being. The lecture includes the topics of meditation, invisible forces, thought power, healing, the power of prayer, helping those who have passed into spirit, and the power of combined thought. The lecture was published by Churchill's of Birmingham in Lake Forest, Illinois.

A lecture by Reverend Dr. Dean S. Psaras explaining the healing philosophy and the healing purpose. Psaras details specific types of healing (divine healing, spiritual healing, faith healing, magnetic healing, vibration healing, suggestive therapy, charismatic healing) and provides instruction for healing practices. The lecture was published by Churchill's of Birmingham in Lake Forest, Illinois.

A lecture by Reverend Dr. Dean S. Psaras containing instruction and techniques for reflection, introspection, contemplation, and mediation practices. The lecture includes outlines and steps for achieving these practices, the benefits to integrating techniques in everyday life, and suggested topics for contemplation practices. The lecture was published by Serenity Publishing Company in Lake Forest, Illinois.

File consists of notes payable relating to business mostly conducted in Canada by L. Breithaupt, to be paid by account of J.F. Schoellkopf, Buffalo, N.Y.

File consists of notes payable relating to business conducted in Buffalo by L. Breithaupt, to be paid by account of J.F. Schoellkopf, Buffalo, N.Y.

Die cut card showing five women behind a fence with a caption reading "The look well on the fence! Much better on the other side. This road leads to success used by the million." The verso shows the backs of the women, each of whom are holding a Sweeperette sweeper. Verso reads "always in the push our Sweeperette. Sweeperette Company 76 5th Ave. New York Grand Rapids, Mich."

One image of what appears to be a stable, identified on the verso as possibly from Old Sturbridge Village in Massachusetts.

Report providing an analysis of the collaboration between the Axis Powers (Germany, Italy, and Japan) to minimize and discredit the British success at Taranto, Italy in broadcasts from Greece, Turkey, Russia, United States of America, Madrid, Free France and Switzerland. Copy no. 192.

Upper body studio portrait of Alfred Stocker seen looking off camera.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Materials published by Stark Brothers Nurseries for the purposes of advertising and selling their fruit trees, particularly apple trees.

File consists of two picture postcards, col.

File consists of one picture postcard, col.

Snapshot of (left to right) Dorothy, Margery Ruth and Walter Bishop Spelmen as children standing on the running boards of a Cole 8 car.

File consists of a booklet containing 20 photochrom prints of views seen along the Columbia River highway.

Collection consists of four files donated as part of the Sol Eisen collection of Canadiana. These items include a ms. of Mexican plays, a music manuscript, a receipt for work completed by a slave on chain gang, and materials related to the life of Frederic William Wile.

Soapona trade card advertisement featuring an elephant looking on while two women hang laundry on a line. Verso reads "Saves times, expense and labor. Makes hard water soft. Does not injure the hands or clothes. Makes linen perfectly white. Is a great disinfectant. Each package contains a set of handsome picture cards. Manufactured only by R.W. Bell & Co. 77 to 89 Washington St., and 8 to 20 Beaver St., Buffalo, N.Y."

Advertisement trade card for Soapine by Kendall Manufacturing Company of Providence Rhode Island and illustrated by Charlotte Perkins Gilman showing a woman from behind dusting figurines that spell out Soapine on a mantel piece. Verso reads "Cleanliness in the house, laundry, kitchen and workshop is best secured by the use of Soapine. All wise people continue to use it after one trial. Kendall Mfg. Co. Established 1827. Providence, R.I."

Soapine advertisement illustrated by Charlotte Perkins Gilman showing a woman hanging laundry out from a wash basket. The laundry on the line spells out "Soapine." Verso reads "Soapine the great dirt killer, will remove dirt of all descriptions! Without injury to hands or fabric. Kendall Mfg. Co. established 1827 Providence, R.I."

Print of a photograph of snow covered trees on Mount Hood taken by Ackroyd Photography Inc. and published in a Portland, Oregon newspaper.

Fonds consists of materials created and accumulated by Stan Johannesen including seven diaries and original artwork for his novel Sister Patsy.

Fonds consists of materials created and accumulated by Stan Johannesen over the course of his education, teaching career, and pursuit of personal interests. Includes correspondence, course materials created as a professor at the University of Waterloo and continuing education lecturer at Laurier University, juvenilia, and a variety of published and unpublished fiction and non-fiction works.

One slide tray plus extras.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Full length studio portrait possibly of Joseph Emm Seagram seen looking toward camera while posed with right arm on an ornate oversize column.

File consists of statements to J.F. Schoellkopf regarding sales of wool in Providence, Rhode Island.

Snapshots taken on a visit to Nelson Schweitzer in California.

Snapshot of (left to right) Helena Schneider, Emma Ahrens, Charles August Ahrens, J.M. Schneider and Louise Ahrens at the Mexico-U.S. boundary. Charles Ahrens and J.M. Schneider are wearing serapes, sombreros, gunbelts and pistols.

Portrait of (left to right) Louise Ahrens, Helena Schneider, J.M. Schneider taken in an outdoors courtyard, possibly of a hotel. Helena is seen seated in a chair with an [orange] in her left hand with Louise and J.M. standing at her sides. The group is posed next to a table with a large bowl of [oranges] on top. File also includes photocopies and identifications of a postcard of the same individuals with Charles and Emma Ahrens taken at the Mexican border.

Snapshots of Herb and Betty: skiing, fishing, hiking and sailing in New Zealand, Alaska, Austria, Switzerland and Georgian Bay. Includes two postcards, one to Herb from Carl Holman, head brewer for Carlsberg Beer.

Snapshots of Herb and Betty "skiing with the Hilkers, Stowe, 1989".

One snapshot of an unidentified group standing on a bridge in a Japanese garden. Take on a trip with Fred H., Ella and Fred P. Schneider to Golden Gate Park in San Francisco.

One snapshot of a gravestone of Frederick A. Schneider, 1843-1920, taken in Calistogo, Napa Valley, California.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Two snapshots of the Schantz's Cole 8 car, one with Worth Flagler Schantz driving.

A snapshot of the exterior home of Worth Flagler Schantz taken from across the street by his father Orpheus Moyer Schantz.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Snapshot of Sally Ann Schantz standing outside in front of a bare shrub and smiling at camera.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Head and shoulders studio portrait of Ruth Schantz seen in profile with a ribbon in hair.

Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Three photographs that have been hole punched and tied together. The first shows Ruth Schantz sitting in a wheelbarrow with Carrie Flagler Schantz in front of the home at Morton Park. The second shows Ruth Schantz and Orpheus Moyer Schantz on the steps of the home at Morton Park. The third shows Ruth standing in a garden holding flowers.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

Head and torso studio portrait of Orpheus Moyer Schantz (center back) with (left to right) Ruth, Worth Flagler and Carrie Schantz.

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

A studio portrait of Orpheus Moyer Schantz by Loubell Studios. Orpheus is wearing a bowler hat and top coat.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

A snapshot of Joan Elizabeth Schantz (right) and Sally Ann Schantz standing outside and smiling at camera.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.