Title and statement of responsibility area
Title proper
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
Level of description
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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1900-1973 (Creation)
Physical description area
Physical description
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Custodial history
Scope and content
The Private Press book collection includes items from more than 1,000 presses in Canada, Great Britain, and the United States. This collection has been developed as a representative collection, with intensive coverage of selected presses, such as Hague & Gill, St. Dominic's Press, Nonesuch Press, and Golden Cockerel Press, to provide scope for in-depth study of the history and development of these particular presses. A sample selection from a wide range of other private presses gives an overview of the private press movement in the twentieth century.
Notes area
Physical condition
Immediate source of acquisition
Arrangement
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Finding aids
Associated materials
Accruals
General note
The private press movement was begun by William Morris with the Klemscott Press in 1891. The development of the press came out of Morris' interests in Medieval literature and craftsman workshops. The Klemscott press printed 53 books in 18,000 copies over seven years, the most important of which being The Klemscott Chaucer. The Klemscott Press lead to a renewed interest in book design and high quality book production, as well as typography. The movement tappered off in the 1930's with the Great Depression. A resurgence began in the 1950's, especially with artists and "artists books" and other experimental printing.