Consists of typed carbon copies of drafts of a manuscript by Sanborn titled Wonder opens windows that makes reference to Little Anna. Revision annotations appear throughout.

Consists of typed carbon copies of drafts of a manuscript by Sanborn titled Winner and still champion! that makes reference to Bunty. Revision annotations appear throughout.

Consists of typed carbon copies of drafts of a manuscript by Sanborn titled What little Anna knows. Revision annotations appear throughout.

File consists of typed and handwritten correspondence from Sanborn to his wife Virginia while they were apart.

Consists of an undated typed manuscript titled The Story of Phytalus written by Sanborn. Six pages in length, editing annotations in black ink and pencil appear throughout.

File consists of a book titled Spindrift by Bonnie Elizabeth Parker. The booklet includes a photo of Parker and the poems:

• Velvet Slippers
• Part of the Music
• Flight
• Question Needing an Answer
• King's Chalice
• Quiet-Bred

Two newspaper clipping poems are tucked in the front cover of the booklet. One, titled Arrival, is by Jane Merchant and the second, titled Child Draws a Penguin, is by Doris Kerns.

Fonds consists of unpublished typescripts and manuscripts by Robert Alden Sanborn. Influenced by the work of Carl Jung, the unpublished works are predominantly related to Sanborn's interest in the social development of children and several of the drafts consist of narratives about young girls referred to as "Little Anna" and "Bunty". Also included is collected ephemera and correspondence between Sanborn and his family, colleagues and publishing contacts, including his editor Olive Burchfiel (1888-1960), as well as writing by Sanborn's mother, Mary Farley Sanborn, including a published version of "The Valor Ranch" (1914); a typescript version of the poem "My Eighth of May"; and a clipping of the poem "The Barrel-Stave."

Series predominantly consists of type- and manuscripts drafts written by Robert Alden Sanborn. Focused primarily on the social development of two young girls referred to as "Little Anna" and "Bunty" the narrative drafts include extensive revision annotations. Also in the series are draft letters regarding a child model named Carol and children in the writing of Lewis Carroll, as well as poems written by Sandborn and his mother Mary Farley Sanborn.

Series consists of correspondence to and from Robert Alden Sanborn to family, colleagues and publishing contacts regarding his writing process and progress, his family, and his personal interests including the social development of children and the work of Carl Jung.

Published version of Valor Ranch by Mary Farley Sanborn from the September 1914 edition of The Trend (Vol. VII, No. 6).

Clipping of a 1917 published version of the poem The Barrel Stave by Mary Farley Sanborn.

File consists of four type- and manuscript poems. Three of the poems are by Sanborn and the fourth, titled My Eight of May, is by Mary Farley Sanborn.

Partial typescript (pp. 163-371) of Valor Ranch by Mary Farley Sanborn.

File consists of incoming correspondence and copies of outgoing correspondence from Sanborn. Topics of discussion include the hatred of the Yankees by Boston Red Sox fans; the work of Carl Jung; Sandborn's writing and that of his correspondents; and Sanborn's involvement with a girl named Lee-Ann Salzer.

Correspondence includes:

• John Lardner (August 27, 1953) [outgoing carbon copy]
• Floyd (June 15, 1955) [outgoing carbon copy]
• Jane [Merchant] (December 10, 1958)
• Graham Greene (August 2, 1957) [outgoing carbon copy]
• Olive Burchfiel (May 15, 1959) [outgoing carbon copy]
• Olive Burchfiel (May 24, 1959)
• Olive Burchfiel (April 10, 1960)
• Mrs. Frances Brown (March 1, 1961)
• Isa (October 6, 1960) [outgoing hand and type written copy]
• Bill (December 1, 1961) [outgoing hand and type written copy]
• May [Bresnahan] (December 21, 1961) [outgoing carbon copy] [RESTRICTED]
• William Berenberg (April 23, 1962) [outgoing carbon copy]
• Harry (June 8, 1964) [outgoing carbon copy]
• May Bresnahan (October 1, 1964) [outgoing carbon copy] [RESTRICTED]
• May Bresnahan (October 13, 1964) [outgoing carbon copy]

Series consists of published works and typescripts, one incomplete, written by Mary Farley Sanborn. They include the story Valor Ranch and pieces of poetry that appeared in various literary publications.

Consists of typed carbon copies of drafts of a manuscript by Sanborn titled Little Medusa. Revision annotations appear throughout.

Consists of typed carbon copies of drafts of a manuscript by Sanborn titled Anna in Search of a Path. Revision annotations appear throughout.

Consists of typed carbon copies of drafts of a manuscript by Sanborn titled Little Anna at the Crossroads. Revision annotations appear throughout.

File consists of incoming correspondence from Jo Stewart, at Monica McCall, Inc., and carbon copies of outgoing responses to Stewart from Sanborn regarding his draft of a psychological monograph regarding "Little Anna". Letters contain references to the work of Carl Jung and a manuscript titled "Little Medusa".

Typescript titled Gladys Jones dated January 3, 1953 1 p.m. - 2:30.

File consists of incoming correspondence from astrologer Franc Hammer Baird to Sanborn regarding a child named Anna. Included is her horoscope data sheet and natal chart assessment, and the 1961 and 1962 editions of Raphael's Astronomical Ephemeris of the Planets' Places.

Series consists of ephemera collected by Robert Alden Sanborn including a booklet of poetry by Bonnie Elizabeth Parker, greeting cards, and clippings regarding his writing and general interests.

File consists of newspaper clippings regarding the Boston Red Sox, children's books and activities, and the poet Robert Frost.

Consists of typescript drafts of two letters heavily annotated and revised by Sanborn. A loose note also appears in the file. The first letter is addressed to Mrs. Bancker regarding her daughter Carol's appearance as a child model in photo shoot by Helen Lee that appeared on page 167 of the October 26, 1953 edition of LIFE magazine. Some of the drafts make reference to Gulliver's Travels. The second letter is addressed to [W. H.] Auden regarding children in the writing of Lewis Carroll following a review written by Auden titled The Man Who wrote Alice that appeared in [the February 28, 1954 edition] of the New York Times. Revision annotations appear throughout.

File consists of greeting cards, speaking notes, publisher information about Robert Alden Sanborn, a typescript of Our Baptism by John Haynes Holmes dated November 3, 1924, and the August 1954 edition of Save the Children Federation Quarterly (Vol. XVII, No. 4) featuring photos of an Austrian child sponsored by Sanborn.

Consists of a carbon copy of a typed manuscript by Sanborn titled Bunty. Editing revisions appear through out. Page 1 of the 4 page draft is missing.

File consists of three newspaper clippings from the Boston Herald regarding Robert Alden Sanborn.

File consists of incoming correspondence from Sanborn's son Robert ["Bob"] between June and August of 1962. Also in the file is a carbon copy response from Sanborn to his son dated September 1962 and a copy of a letter from Sanborn to his [daughter?] dated "Monday, -Oct. 4". Letters make reference to George Householder, George and Mary Heusenstamm, and Hilda.

Consists of typed and carbon copied drafts of Sanborn's unpublished manuscript titled The Arts and Crafts of Little Anna OR How Little Anna Met a Friend Who Kept His Windows Open to Wonder-Seekers.

File 1 or 2 contains drafts of the entire manuscript.

File 2 of 2 contains drafts of the Prefatory Note and Chapter III: The School of Unlearning. Also in the file is a carbon copy of a letter from Sanborn to Olive [Burchfiel]. Dated Friday, February 24, 1961, Sanborn's letter outlines the state of the manuscript, how it came to be, and makes note of Willem Pinard, a professor of psychology at the University of Boston, having offered to write an Introduction for the book.

File consists of incoming correspondence from Alice Very Brown and carbon copies of outgoing responses to Brown from Sanborn regarding his draft of a psychological monograph regarding "Little Anna". Correspondence from Sanborn makes reference to Carl Jung and his work "The Psychology of the Child Archetype".