One sketchbook (39 pages). Includes ms. notes, landscape sketches of Wellfleet, Cape Cod, painting plans, sketches of boats and harbours, calculations, and geometric designs.

Partial sketchbook containing pencil sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

One sketchbook (7 pages). Includes sketches of boats and harbours, still life studies, cars, figures, and painting plans.

One sketchbook (58 pages). Includes ms. notes, seascape sketches, boats and harbours, landscapes, sketches of mountains, a watercolour sketch, and geometric designs.

One sketchbook (39 pages). Includes ms. notes, sketches of boats and ships, figures, birds, painting plans, flowers [coloured pen], architecture, geometric designs, cityscapes, landscapes, mathematical models, and plans for some kind of water dispenser.

One sketchbook (55 pages). Includes ms. notes, sketches of landscapes, notes and calculations relating to perspective, sketches of boats, harbours, plans for paintings, plans for linocut prints, and geometric designs.

One sketchbook (61 pages). Includes ms. notes, a time-line relating to an automobile accident and phone conversations with the CAA, sketches of Cape Cod landscapes, ships, boats, harbours, birds, geometric shapes, figures, perspective calculations, and lists of watercolour paint names.

One sketchbook (65 pages). Includes ms. notes, geometric designs and sketches (some with coloured pen), Christmas card designs with a watercolour sketch version, landscape sketches, and perspective calculations.

Contains 1 sketchbook (29 pages). Includes sketches of symbols and geometric designs (some in colour), mathematical calculations, sketches of landscapes, boats, harbours, and cityscapes.

One sketchbook (50 pages). Includes ms. notes, plans for paintings, perspective calculations, landscape sketches, cityscape sketches, geometric designs and sketches, figures and profiles.

One sketchbook (89 pages). Includes sketches and ms. notes regarding landscape in Orleans and Cape Cod, ms. notes and sketches regarding Kandinsky, a "list of stuff to paint/sketch", landscape sketches, design sketches, sketches of cars and other objects, and notes relating to an automobile accident.

One sketchbook (59 pages). Includes ms. notes, geometric designs and sketches, mathematical calculations, sketches of profiles, figures, cityscapes, landscapes, ships, and birds.

One sketchbook (66 pages). Includes ms. notes, sketches of a railway station, Cape Cod Canal, landscape sketches of various locations including the Scottish Highlands, geometric designs, sketches of ships, boats, harbours, still life, figures, cars, textures, perspective calculations, and birds.

Contains 1 sketchbook (88 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

One sketchbook, five pages. Includes Scotland landscape and cityscape sketches of Polperro Cornwall, and Iona Cathedral off the Island of Mull.

One sketchbook (62 pages). Includes ms. notes, geometrical designs, sketches of birds and landscapes, and mathematical calculations.

Contains 1 sketchbook (56 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

Contents: contains 1 sketchbook (19 pages). Includes ms. notes, painting plans, landscape sketches of Scotish locations (Flowerdale, Ross Shire, Kimloch, Iona), one set of landscape sketches of Wellfleet, Cape Cod, geometric designs, and calculations.

One sketchbook. Includes ms. notes, landscape sketches, plans for paintings, geometric designs, sketches of boats, ships, harbours, figures, still life studies, watercolour sketches of geometric designs for a painting, and a list of paintings completed.

One folder of loose pencil and pen and ink sketches by David Hill.

File consists of twenty drawings, mostly pencil sketches, of scenery, still lifes and friends and family.

One folder of loose pen and ink sketches by David Hill. Includes two clippings dated 1952.

One folder of undated loose pencil sketches by David Hill.

Correspondence, clippings and drawings from Lionel Burt to William H. Kaufman, concerning the "Sorel Strut" ski system.

File consists of one print of the side-by-side images of Spray of Seven Leaves and Flower Bud and Woman Climbing Floreated Phallus. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of St. Bernadette, lettered "Bernadette Ora Pro Nobis." Numbered 25/50 and signed by Gill.

File consists of one print of St. John. Numbered 11/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File contains the April 2, 1992 issue of the magazine "Frank". There is a comic created by John Herbert published in the magazine on page 22. Includes author's note on the envelope: "Box C - C6: FRANK Magazine: A comic strip by J.H. aka 'Nemesis', page 22 - 'The Club on Bay Street'. Note: John Herbert used the nom de plume 'Nemesis', as a cartoonist for Onion, the Toronto Paper on the Arts, from 1975 to 1982. (See collection of Onion issues in J.H. archives, the Porter Library, University of Waterloo)."

File consists of one print of The Constant Mistress. Numbered 7/20 and signed by Gill. Originally an illustration for The Constant Mistress printed by the Golden Cockerel Press.

File consists of one print showing the death of Chatterton, based on the 1856 painting by Henry Wallis. The lithograph was published March 20, 1862 by R. Turner and engraved by T. Oldham Barlow.

File consists of one reproduction of a handkerchief showing an etching of Chatterton with a brief biography of his life, and a poem. The bottom right corner reads "The Chatterton pocket handkerchief c. 1782" and the verso reads "For Dr. Warren U. Ober. University of Waterloo. Ontario, Canada."

File consists of one print of The Empty Bed. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress. Also includes a photocopy of the print and a caption from the Thomas Fisher Rare Book Room.

Pen drawing by Orpheus Moyer Schantz titled, The Girl He Left Behind Him. The drawing features a woman sitting in a field with ships visible in the distance. Artist's note underneath signature confirms this drawing was modeled after the works of Charles Dana Gibson.

File consists of one print of the frontispiece for Henry the Eighth. Signed by Gill with a note reading "for Shakespear's Henry VIII pub by New York Limited Edition Club, 1937. Also includes the back of the original mat.

File consists of one print of The Holy Face. Originally an illustration for "Ritus Servandus In Benedictione" printed by the St. Dominic's Press.

Black ink drawing of a couple seated close together by Orpheus Moyer Schantz captioned "The last day of summer" of a despondent looking couple.

File consists of one print of The Last Judgement.

File consists of one print of The Leisure State, showing a woman listening to a grammaphone with the words Techne (translation: “art, craft”) and Poiesis (translation: “creation, poetry”). Numbered 18/18 and signed by Gill. Originally for Unemployment, by Gill.

File consists of two copies of the print The Lord's Song from the artist's own published sermon of the same name. Numbered 1/25 and 4/25 and signed by Gill.

File consists of one print of The Nun's Priests's Tale showing three figures and a chicken under a leaf border with the letter "H". Numbered 4/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one mock up for The Order of Industrial Heritage award as presented by the London Daily Herald. This second version shows the original holy ghost dove has been replaced by a star. Also includes one colour copy of the print and a caption created by Thomas Fisher Rare Book Library.

File consists of one print of The Pardoner's Tale showing three men in a garden with a skeleton looking up at them, along with the letter "O." Numbered 10/10 and signed by Gill along with the annotation USA 5. Used as an illustration for the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of The Shipman's Tale showing a man and woman on a bed surrounded by a border of leaves and the letter "O." Numbered USA 1/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File contains 6 pen and ink drawings created by John Herbert in 1973 regarding his comic "The Slideshow". The drawings have captions written on them. Includes author's note on the envelope: "Box D: John Herbert archives. D15: original drawings, 1973. The Sideshow (a comic book). The enclosed 6 pages were John Herbert's beginning of a comic-book project (under the name 'Jack Past') based on his memories of working with a carnival burlesque show (Model Shows' 'Paris After Midnight') in 1953, travelling through Ontario, Quebec, New Brunswick and Nova Scotia (over a 6 months period)."

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of The Skaters showing two naked skaters based on a photograph from the London Daily Mail. Labled "specimin plate."

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

Fonds consists of one print of a work by Thomas Austen Brown. The drawing shows ships in the water at night underneath a moon. Signed by the artist.

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of two illustrations, ink on paper, by Virgil Burnett for While breath persist by Gael Turnbull (Erin, ON: Porcupine's Quill, 1992).

One undated, unattributed sketchbook, containing pencil and pen and ink sketches, possibly by both David Hill and Joe Plaskett.

Collection consists of seven caricature prints of "men of the day" from the British weekly magazine Vanity Fair. Includes images of Mr. R. Richardson-Gardner; Mr. Herbert Spencer; Marquis of Winchester; Admiral Sir H.R. Yelverton; Mr. Joseph Ernest Renan; The Reverend Arthur Tooth; Lord H.F. Thynne.

One photograph album kept by an unknown woman with pictures of famous women. The album is made with wooden boards which feature paintings of a sunset over water and a song sparrow with calligraphic poetry. Each page includes a photograph of a different woman surrounded by a hand drawn frame that speaks to her life and work. Women in the album include Florence Nightingale, Elizabeth Barrett Browning, Dame Millicent Garrett Fawcett, Elizabeth Garrett Anderson, Lady Florence Baker, Mary Somerville, Emily Davies, Johanna Maria Lind, and Rosa Bonheur.

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

File consists of four watercolour paintings of landscapes.

File consists of a proof copy of the work, What the Petroglyphs Said by Nancy-Lou Patterson published by the Pasdeloup Press in 2004. Also present is an original pen and ink drawing on matte board by Nancy Lou Patterson titled "Stone is an open woman," which was incorporated into the final publication.

Manuscript poem entitled, "On Parting from My Sister and Her Children." Also included are two pencil drawings, one of which depicts a church and graveyard scene in a village located three miles from Dublin. The poem and drawings have been bound into a book. In the front cover of the book is a newspaper clipping of an obituary for Isabella Jane and Caroline Olivia Clare.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

Writings and paperwork related to Bettie Bernice Wilson during her time at the Royal Canadian Air Force (RCAF). Includes a drawing, a certificate of discharge for Wilson from the RCAF from September 1945, writing titled "The plight of 'C' flight" by AW2 Lockwood, J.B.E. in May 1942, the Christmas program for No. 16 Service Flying Training School (SFTS) Hagersville (Ontario) for 1944, and the menu for the 25th Anniversary Reunion of Women of the RCAF (1966).