Images of a dinner held in the Laurel Room (formerly known as the Carnival Room) on the second floor of South Campus Hall during the University of Waterloo’s 25th anniversary celebrations.

Images of displays in the Theatre of the Arts, located in the Modern Languages building that were created as part of the University of Waterloo’s 25th anniversary celebrations.

A contact sheet featuring 12 photographs of displays in the Theatre of the Arts, located in the Modern Languages building that were created as part of the University of Waterloo’s 25th anniversary celebrations.

A contact sheet featuring 12 photographs of displays in the Theatre of the Arts, located in the Modern Languages building that were created as part of the University of Waterloo’s 25th anniversary celebrations.

Images of displays in the Theatre of the Arts, located in the Modern Languages building that were created as part of the University of Waterloo’s 25th anniversary celebrations.

Slides featuring text, diagrams and illustrations that were used during a presentation on new equipment and techniques at the Annual Computing Centre meeting in 1969.

File consists of seven photographs taken at Electrohome's 1963 annual meeting.

File consists of seven snapshots taken at an annual meeting. Some photographs include John A. Pollock.

File consists of 13 snapshots taken at the 1987 annual meeting. Some photographs include John A. Pollock.

File consists of 46 snapshots taken at the 1990 annual meeting. Some photographs include John A. Pollock.

Panoramic group portrait taken at the King Edward Hotel in Toronto; Ontario.

File consists of photographs taken at Electrohome annual meetings. Includes photographs of Carl A. Pollock. Duplicate photographs may be present.

File consists of four photographs taken at Electrohome's 1964 and 1965 annual meetings.

File consists of material relating to the the production of the 1967 annual report. Includes ms. notes, preliminary design sketches, a leaflet advertising television and stereo, and photographs and negatives of employees working on production lines.

File consists of material relating to the content, production, and distribution of the 1973 annual report. Includes incoming and outgoing correspondence and memoranda; one photograph, four negatives and a slide of images used in the report; three folded drawings of the report layout; and page proofs of the report. File also includes correspondence from shareholders.

File consists of material relating to the content, production, and distribution of the 1973 annual report. Includes incoming and outgoing correspondence and memoranda; draft pages (some annotated); and photographs, halftone printing proofs, negatives, and transparencies of images used in the report.

File consists of material relating to Electrohome's 1990 annual report. Includes press clippings, interim reports to shareholders, five photographs (for use in the report), a report from Royal Trust Investor Relations Associates (Toronto, ON) on corporate financial reports, and other material.

File consists of transparencies, negatives and photographs of Electrhome senior management for the 1995 annual report. Duplication may exist among transparencies and negatives.

Contains one photograph of the general office area, including women employees.

Contains two photographs with identifications on the verso: left to right: Beike Cammaert (child care worker), Karen Hutchison (President), Manuela Almeida (Executive Director).

Graduation portraits, University of Waterloo.

Head and shoulders portrait of Clarence Anstett.

Graduation portraits, University of Waterloo.

Graduation portraits, University of Waterloo.

Photograph of Anthes and Breithaupt family members sitting and standing on the deck and front stairs of a cottage. Lydia, John and Martha Anthes are seen at the top of the stairs. Talmon Rieder is standing on the deck at far right and Louisa Anthes is seated on the stairs at left, holding an infant on her lap and looking off camera.

Postcard featuring a photograph of a bird view of a bulding on an island in a lake. According to annotations, building is the Anthes Cottage on Munnohannit Island, Sans Souci Island (The Archipelago, Georgian Bay, Ontario).

Image of Martha Rieder, J.I. Frank Anthes, [Caroline Herlan], and Lydia Anthes seated in the on what is likely the front porch of 58 Roy Street.

Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.

Mounted photograph of employees posed for a photo outside of the Anthes Manufacturing Company factory. Seen in two rows, one standing and one kneeling, most are holding hats at their side or on a knee. An unidentified man on a horse is included in the group at right.

Mounted photograph of employees standing in a row, posed for the camera, at the side front of the Anthes Manufacturing Company building under a painted sign that reads: "The Anthes Mfg. Co. of Berlin. Limited." J.I. Frank Anthes is visible standing in a doorway behind the employees at right.

Photograph of the exterior of a corner of the Anthes Manufacturing Company of Berlin seen from across a dirt road. Clusters of trees are visible next to the building and at right in what may be an adjoining lot.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Studio portrait of the Anthes siblings. Carrie and Martha are seen standing behind Lydia, Ella and Frank seated.

Two copies of a full body studio portrait of the Anthes siblings seen looking at camera. Frank is seen at centre, seated in an ornate, high-backed arm chair with (left to right) Martha and Carrie standing and Lydia and Ella seated on either side of the chair.

Portrait of Ella Anthes and [Evelyn Breithaupt] smiling at camera dressed in fancy hats and cool weather jackets.

Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.

Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.

Studio portrait of Ella Anthes (standing) with unidentified person. Both are seen wearing large fancy hats.

Photograph of (left to right) Ella and Louisa Anthes seated in a tree filled yard. Ella is seated in a wicker chair with Louisa Anthes perched on the side of the chair. Both are seen looking at camera.

Two copies of an photograph of Ella and Martha Anthes standing arm in arm in a yard, next to a wicker chair with a Union Jack affixed to it. Both are wearing white dresses and seen looking at the camera.

Three copies of a photograph of Ella Anthes seated in a wicker chair, looking at the camera, and Martha Anthes looking down at her from behind the chair. The pair is seen posed in a tree-filled yard with a display of flowers to their left.

Photograph of Ella Anthes, Emma Kaufman and Martha Anthes standing outside dressed for cool weather in capes and fancy hats.

Portrait of Louise McEwan, Martha Anthes and Ella Anthes (seated) as children.

Studio portrait of Ella Anthes and Zella Dexter McDonald.

Photograph of [Ella Anthes] (at right) with two unidentified friends standing in front of the door to a [residential home]. Each are wearing a jacket and hat.

Photograph of Emma Anthes smiling widely at camera while standing outside of a cottage door with dog named Petey at feet.

One snapshot of two women and Emma Anthes with a cooking pot, sausages and cabbage. Note on verso: "A souvenir of the hostesses and of the cooks, Bide-a-wee, Luckenuf, Belfountain," dated Sept. 1, 1919. This photo probably taken on the steps at the Devil's Pulpit, Forks of the Credit.

Photograph of Emma Anthes seated in a lawn chair holding a treat up to her seated dog, named Pat, as Herbert Schneider looks on with left hand in air. A cluster of birch trees and the corner of a building are visible in background.

Photograph of Emmie Anthes later in life seen cleaning out a [bird coup?].

Four photographs taken at various times of Emmie Anthes, her dogs, and others at her cottage "The Birches". Included in photos are: Herbert, Brita and Howard Schneider, and Hilda and Evelyn Haist.

Head and shoulders photograph of Emmie Anthes, seen outdoors, smiling at camera.

Photograph of unidentified group standing in street clothing with the lake behind. Emma Anthes is seated at front and person standing at right with infant is likely Ethel Schneider.

Photograph of Lillian Daniels, Norman Schneider, an unidentified person, and Emmie Anthes standing with on a wood plank walkway with a bundle of caught fish held up for the camera.