Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
GA62 |
John Herbert fonds. |
Accession |
1940-1981 |
|
|
6 |
Her only sister. |
File |
1957 |
|
|
11 |
The world of Woyzeck. |
File |
1963 |
|
|
17 |
Fortune and men's eyes. |
File |
1964 |
|
|
21 |
Fortune and men's eyes. |
File |
1966 |
|
|
24 |
Fortune and men's eyes. |
File |
1966 |
|
|
25 |
Fortune and men's eyes. |
File |
1966 |
|
|
28 |
Fortune and men's eyes. |
File |
1969 |
|
|
33 |
Fortune and men's eyes : film. |
File |
1970 |
|
|
36 |
Fortune and men's eyes : film. |
File |
1970 |
|
|
41 |
The elephant graveyard. |
File |
1968 |
|
|
49 |
The great shmaltz. |
File |
1978 |
|
|
57 |
Be good. |
File |
1953 |
|
|
1.3 |
Essays |
Series |
1959-1978 |
|
|
59 |
I didn't believe a word they said. |
File |
1959 |
|
|
61 |
On realism in art. |
File |
1960 |
|
|
68 |
On the authenticity of my play's subject. |
File |
1967 |
|
|
70 |
The Cuban sailor. |
File |
1968 |
|
|
71 |
Parish pumpism or pseudo-Communism. |
File |
1969 |
|
|
75 |
My life and hard times in cold, bitter, suspicious Toronto. |
File |
1971 |
|
|
77 |
Theatre professionalism is more a matter of quality than of money : see a Thornhill production. |
File |
1973 |
|
|
79 |
Yes, Virginia, there is a Disneyland in Canada, or, How I came to be a guest at Banff Center. |
File |
1974 |
|
|
84 |
Run! Do not walk to the nearest supermarket. |
File |
1975 |
|
|
90 |
Writing for ourselves and to each other. |
File |
1977 |
|
|
92 |
Giselle, Kain and critics: The National Ballet of Canada. |
File |
1977 |
|
|
93 |
What has any of this to do with the price of eggs. |
File |
1978 |
|
|
94 |
Sunday, 1944. |
File |
[198-] |
|
|
96 |
Night on Young [sic] Street, 1945; Depraved dream, 1958; Aging, 1959; Once in Youth, 1959. |
File |
[196-?] |
|
|
100 |
All you hangmen, 1949. |
File |
[198-] |
|
|
103 |
Lice on Louisiana, 1949. |
File |
1949 |
|
|
107 |
Job, 1951. |
File |
1951 |
|
|
118 |
To a great beauty, 1956. |
File |
1956 |
|
|
127 |
Futility of violence, 1960; Irony of ecstasy, 1960. |
File |
1960 |
|
|
133 |
Night and the city, 1962. |
File |
1962 |
|
|
136 |
The bitter truth, 1964. |
File |
1964 |
|
|
138 |
Eyes, 1964. |
File |
[198-] |
|
|
139 |
First song, 1964. |
File |
1964 |
|
|
150 |
Nightfall, 1965. |
File |
1965 |
|
|
158 |
A story, 1944. |
File |
1944 |
|
|
2 |
Correspondence |
Series |
1958-1981 |
|
|
160 |
Correspondence : B. |
File |
1975-1976 |
|
|
166 |
Correspondence : K. |
File |
1969-1974 |
|
|
169 |
Correspondence : N. |
File |
1967 |
|
|
171 |
Correspondence : N. |
File |
1967-1968 |
|
|
177 |
Correspondence : R. |
File |
1966-1978 |
|
|
178 |
Correspondence : S. |
File |
1971-1976 |
|
|
3.1 |
About John Herbert |
Series |
1967-1981 |
|
|
181 |
Author of hit play is barred from U.S. New York Times, 6 October 1967, p. C28. |
File |
1967 |
|
|
183 |
Dempsey, Lotta. Fortune and Men's Eyes author has two new plays optioned. Toronto Daily Star, 20 June 1970, p. 82 |
File |
1970 |
|
|
184 |
Green, Joseph G. The theatre, a celebration. Performing Arts in Canada 7, no. 2 (1970): 7-9. |
File |
1970 |
|
|
190 |
Manatis, Janet. All who know Jack Brundage raise your hands. Toronto Life 1, no. 9 (July 1967): 12, ill. |
File |
1967 |
|
|
191 |
Manatis, Janet. Strange tales of censorship in Ontario. Toronto Life 1, no. 11 (September 1967): 12-14. |
File |
1967 |
|
|
192 |
McLachlan, Laura. Style grows from artist's personality. Chevron, 12 March 1976, p. 3. |
File |
1976 |
|
|
1.1 |
Plays |
Series |
1955-1980 |
|
|
3 |
Felice. |
File |
1955 |
|
|
8 |
A ruby fell. |
File |
1959 |
|
|
10 |
A household God. |
File |
1961 |
|
|
13 |
The acting teacher. |
File |
1964 |
|
|
16 |
Fortune and men's eyes. |
File |
1964 |
|
|
19 |
Fortune and men's eyes. |
File |
1965 |
|
|
20 |
Fortune and men's eyes. |
File |
1966 |
|
|
26 |
Fortune and men's eyes. |
File |
1966 |
|
|
30 |
Fortune and men's eyes. |
File |
1970 |
|
|
32 |
Fortune and men's eyes : film. |
File |
1969 |
|
|
37 |
Queenie's job. |
File |
1965 |
|
|
38 |
Close friends. |
File |
1966 |
|
|
39 |
Men's room. |
File |
1966 |
|
|
46 |
One Castle Court. |
File |
1974 |
|
|
47 |
The power of paper dolls. |
File |
1976 |
|
|
48 |
The real Mrs. Reynard. |
File |
1976 |
|
|
1.2 |
Short Stories |
Series |
1949-[ca. 1981] |
|
|
53 |
Life's like that. |
File |
1949 |
|
|
54 |
Lonely lady. |
File |
1949 |
|
|
56 |
Some of the little luxuries. |
File |
1950 |
|
|
62 |
Review (unpublished) of London Little Theatre's production of Pirandello's "As you desire me". |
File |
1964 |
|
|
64 |
The executive dining room. |
File |
1965 |
|
|
66 |
The struggle to become a playwright in Canada. |
File |
1967 |
|
|
67 |
On the desire of a prisoner to have his own identity. |
File |
1967 |
|
|
76 |
Sarah's war : a film by Lothar Spree. |
File |
1973 |
|
|
85 |
Miska the Magnate : The Hungarian Art Theatre. |
File |
1975 |
|
|
86 |
Pauline Carey as Anna Jameson. |
File |
1975 |
|
|
87 |
The profit picture : Mel and Smell on C.B.C. |
File |
1976 |
|
|
88 |
Ramona and the white slaves: at the Factory Theatre Lab. |
File |
1976 |
|
|
91 |
Keepers of the sacred cows. |
File |
1977 |
|
|
1.4 |
Poetry |
Series |
1946-[198-] |
|
|
98 |
Plea, 1946. |
File |
1946 |
|
|
99 |
Plea, 1946; Wanderer, 1949; All you hangmen, 1949; Lice on Louisiana, 1949; Sunday, 1949; |
File |
1946 |
|
|
101 |
Indian girl at Portage and Main, or, Reflection, 1949. |
File |
1949 |
|
|
106 |
The honour and the glory, 1950. |
File |
[195-?] |
|
|
108 |
Patrons of war, 1951. |
File |
[198-] |
|
|
111 |
I slept, 1955. |
File |
1955 |
|
|
115 |
Abortion, 1956. |
File |
1956 |
|
|
119 |
A year, 1956. |
File |
1956 |
|
|
126 |
Thirty years ago tomorrow, 1959. |
File |
1959 |
|
|
129 |
The locks on life, 1960. |
File |
1960 |
|
|
132 |
Footprints in the sand, 1961. |
File |
1961 |
|
|
143 |
The life and death of Postal Station F, 1964. |
File |
[198-] |
|
|
146 |
Winds and breezes; 1964; Eyes, 1964. |
File |
1964 |
|
|
149 |
Dreamer, 1965. |
File |
1965 |
|
|
151 |
Time's justice, 1970. |
File |
1970 |
|
|