Fonds consists of Alice Hagen's correspondence, clippings, articles and ephemera relating to her work in pottery and ceramics. Includes correspondence with Elizabeth Long regarding her part in painting plates for the Canadian Senate's gift of hand-decorated china to Lord and Lady Aberdeen at the emd of the former's term as Governor General of Canada in 1898.

Fonds consists of material created, published, and accumulated by Annie Elizabeth May Hewlett. Includes a scrapbook and correspondence.

Materials created and accumulated by Barbara Smucker relating to her professional activities. Primarily includes materials relating to her various published works including research, reviews, and manuscripts and typescripts.

This collection, donated to the University of Waterloo in 1988 by the family of the late Rosa Breithaupt Hewetson Clark and Spencer Clark, includes family papers from three families, the Breithaupt family, the Hewetson family, and the Clark family; records from the Guild of All Arts in Scarborough, Ontario, founded by Rosa Breithaupt Hewetson Clark and Spencer Clark; and several smaller collections acquired by the Breithaupt family and by Spencer Clark. The personal library of Spencer Clark, which includes many books, periodicals, government documents, and ephemeral items, was donated together with the archival collections, and is particularly strong in the fields of urban planning, architecture, and Canadian art.

Fonds consists of records documenting most aspects of the development of the Central Ontario Art Association, the events and activities of the association, and its administration and membership in the period from its formation in 1954 to about 2000, with some gaps in coverage. The records were accumulated by various members and some organization was imposed by the association for the purpose of researching its history.

Fonds includes correspondence, membership lists, flyers, announcements, programs, newsletters, exhibitors' catalogues, minutes, reports, the association constitution and by-laws, histories, forms and questionnaires, clippings, lectures and articles, photocopied information, photographs, slides, and other material.
Fonds is arranged in the following series:
Series 1: Administration and Membership
Series 2: Files of Gordon Couling
Series 3: Events and Exhibitions
Series 4: Publications
Series 5: Subject Files
Series 6: History Working Files
Series 7: Photographs.

Sketchbooks and loose sketches by David Hill, American artist. Includes material relating to his death and estate, primarily correspondence to Joe Plaskett. Includes correspondence to David Hill by Virgil Burnett.

Correspondence, manuscripts and typescripts of poetry and prose , clippings of published work and reviews. Correspondents include Nellie McClung (2 letters), Laura Goodman Salverson (1 letter) and Charles G.D. Roberts (1 letter).

Material by and about Emily Murphy, particularly relating to the "persons" case, her work as a police magistrate, material relating to a biography of her by Byrne Hope Sanders, as well as biographical material assembled after her death. Includes correspondence, clippings, photographs, notebooks and petitions.

Sketchbook belonging to Helen Edmonds, dated July 1991, containing sketches in the style of Virgil Burnett. Most sketches are drawn with brown ink and feature people, landscapes, buildings, and sculptures. The sketchbook also includes watercolour sketches accompanied by notes and quotations.

Fifty-five sketchbooks by Herbert Odd containing pen and ink drawings, with some watercolour sketches and some pencil sketches.

Fonds consists of approximately 100,000 letters dating between 1904 and 1953 to and from authors, publishers, agents, film studios, journals, newspapers, etc. concerning the use of articles, stories, and manuscripts. Some of Chapman's personal correspondence is included.

Fonds consists of materials relating to the personal and professional life of Isabel Ecclestone Mackay. Includes primarily prose and poetry by Mackay, as well as photographs, correspondence, scrapbooks and ephemera.

Materials created or accumulated by Julia McCarthy during her professional and personal life. Includes journals and personal correspondence received by McCarthy, drafts of poems and anthologies, professional correspondence related to the publication of McCarthy's work, correspondence related to applications for grants and awards, awards received by McCarthy, interviews and articles about McCarthy, and work by and about other authors accumulated by McCarthy.

Fonds consists of a typescript script by Gary and Ken Ledbetter, based on stories by Ken Ledbetter.

Material documenting Luella Creighton's student days at Victoria College, University of Toronto, 1924-1926. Her personal life is further documented through a series of diaries, 1963-1990. Most of the textual material in the fonds, however, relates to her career as a writer of both fiction and non-fiction, and consists of correspondence with her publishers and readers, reviews, manuscripts and typescripts of both published and unpublished works.

Contains materials by and about Mary Quayle Innis. Includes correspondence written mostly to her daughter, Anne Innis Dagg from 1956 to 1968, notes kept while Dean of Women at University College, 1954-1961. Also present are files compiled by Anne Innis Dagg, including a biographical essay on Mary Quayle Innis and files relating to a proposed collection of her short stories and pieces with an introduction by Anne Innis Dagg.

Fonds consists of unpublished typescripts and manuscripts by Robert Alden Sanborn. Influenced by the work of Carl Jung, the unpublished works are predominantly related to Sanborn's interest in the social development of children and several of the drafts consist of narratives about young girls referred to as "Little Anna" and "Bunty". Also included is collected ephemera and correspondence between Sanborn and his family, colleagues and publishing contacts, including his editor Olive Burchfiel (1888-1960), as well as writing by Sanborn's mother, Mary Farley Sanborn, including a published version of "The Valor Ranch" (1914); a typescript version of the poem "My Eighth of May"; and a clipping of the poem "The Barrel-Stave."