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Group of six men standing in an intersection in Woodstock, Ontario, tentatively identified as either Ingersoll Ave. or Vansittart Ave. The man at the extreme right is probably R.D. Montgomery.

One image of the Woodstock Town Hall.

One image of the Woodstock Jail.

Photograph of Kay Rex as a child seated at a desk with arms crossed and looking at camera.

File consists of one three quarter length wedding portrait of Isabel and Peter Mackay in their wedding clothing. Peter is standing by a seated Isabel who is holding a branch of leaves.

File consists of one full length studio portrait of Isabel Mackay with an unknown woman. The two are seater side by side wearing elaborate gowns.

File consists of one head and shoulders studio portrait of Isabel Mackay in her wedding dress. The upper part of her dress can be seen, and she is holding a bouquet of ferns and carnations and wearing a snake upper arm cuff.

One image of an octagonal barn (B.7) from Woodstock, Ontario (not pictured in the books, but listed and described), and one image of an octagonal house (H.18) from Kingsville, Ontario (both pictured and described in the books).

Fonds consists of ephemera relating to the unionization of furniture makers and woodworkers in the Kitchener, Stratford, and Woodstock area. Includes a mock liberty bond for the defence of workers arrested protesting, a card promoting socialist industrial unionism, a handbill outlining union desires, a letter from Canada Furniture Manufacturers regarding an adjustment to pay rates, a handbill encouraging furniture workers to unionize, and a photocopy of a letter to Herman Kreuger.

18 pieces of correspondence to Dorothy Etta White from Grace Longworth, postmarked Woodstock, Ont. Includes stamped envelopes. Grace was a friend from Toronto when Dorothy attended Normal School there.

File consists of one full body studio portrait of Muriel Alberta Kerr Clement. Muriel is shown sitting on a bench with her legs crossed, wearing a hat, dress, and heels.