File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt,
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

Several duplicates are present.

File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt (Duffield),
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

File consists of 48 portraits (plus duplicates) of senior personnel, 2 photographs of employees, and a half-tone print of one of the portraits. The personnel in the portraits are all identified:

• Robert Babin,
• Ken Brown,
• Bob Cronk,
• Hugh Bauld,
• Leo F. Fitzpatrick,
• E.A. Greenwood,
• A. Cooper,
• Ken De Coppell,
• Grant McVey,
• Ian J. Main,
• H. Wedderbern,
• J. Wright,
• Donald R. Steele,
• Paul Richmond,
• L. Tiengo,
• John Rideuot,
• L. Shaub,
• G. Lenner,
• Bob Moore,
• E. Stobart,
• Ken Kerr,
• J. Kochin,
• Pat Kent,
• Jim King,
• Doug Jamison,
• G. Glennie, and
• W. Hemphill.

Photographs of the Kaufman family with the preeminence of A. R. Kaufman, his childhood, youth, and early marriage years. Includes photographs of A. R. Kaufman and members of his family in different attitudes and locations, including studio portraits, family photographs, and A. R.'s participation in different clubs and societies.
Photographs are identified or identifiable as:

• Image of children visiting the police department (ca. late 1800s),
• Two studio photographs of A. R. Kaufman in his youth (ca. early 1900s),
• Studio photograph of an unidentified bride (possibly Jean Kaufman) (ca. 1910s),
• Studio photograph of Jacob's and Mary Eidt Ratz Kaufman's family, including their four children (September 1912),
• Photograph of possibly Mary Eidt Ratz Kaufman, taken by Panabaker Home Portraits (early 1900s),
• Photograph of A. R. and Jean Kaufman with two of their children and one of the grandmothers (early 1900s),
• Reproduction of the wedding picture from Edna Louise Kaufman and Albert William Augustine (1918),
• Reproduction of photograph of the King Edward School class of 1933, taken by Denton Studio (1933),
• Two photographs of young women identified as Geneva and Mary Hayward, but who are possibly Helen Mary and Sally Jean Kaufman (early 1900s),
• Photograph of Jean Kaufman with Mrs. Taye Shidachi Kiachi, Mrs. Jsuji (?), Miss Cruikshank, and Mac Livett (?) (May 1930),
• Studio photograph of the Kaufman family showing Mary Eidt Ratz Kaufman, Emma Kaufman, A. R. Kaufman and his family, and Milton Kaufman and his family (first half of 20th Century),
• Studio photograph of an unidentified woman (possibly Jean Kaufman) (first half of 20th Century),
• Studio photograph of an unidentified woman (possibly Edna Louise Augustine) (first half of 20th Century),
• Studio photograph of A. R. Kaufman, taken by Ashley & Crippen Photographs (first half of 20th Century),
• Coloured drawing of "Beechome," A. R. Kaufman's summer cottage built on the banks of the Grand River (ca. 1916),
• Photograph of Beechome (Christmas 1950).

A diary containing daily entries written by Betty Forbes in 1947. Several entries describe family events, parties, dances, trips to Buffalo, Sudbury and British Columbia, and Betty’s work at Claremont Nursery School. The diary includes letters, telegrams, invitations, programs, press clippings, pressed flowers, a napkin, and a photograph of an unknown individual.