Consists of one print of Tintern Abbey, Monmouthshire, as seen from across the River Wye. Two men in a boat can be seen fishing on the river in the foreground. The print was published October 1784 by S. [Samuel] Hooper. The Abbey is referenced by Wordsworth in a poem and was used as inspiration for other poets and painters.

Fonds consists of one print of a work by Thomas Austen Brown. The drawing shows ships in the water at night underneath a moon. Signed by the artist.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

Fonds consists of one painting by Peter Etril Snyder of the Dana Porter Library. The work was commissioned in 1975 for the home of the then President of the University, Burt Matthews.

Two millinery design portfolios created by G. Stommel and Doris Schnelder, possibly as part of a sewing course in junior college or high school. Portfolios show a comprehensive display of different fashions and styles in headcover making, including manufacturing materials, techniques, and methods.

Fonds consists of one birth-and-baptismal certificate (Geburts-und-Taufschein) for Margareta Riehl. The certificate is written in German and is a fraktur text featuring examples of decorative calligraphy and artwork.

Collection consists of material regarding Frances Loring and Florence Wyle, their careers as sculptors, and their artwork. Includes clippings, photographs, and biographical information.

Sketchbook belonging to Helen Edmonds, dated July 1991, containing sketches in the style of Virgil Burnett. Most sketches are drawn with brown ink and feature people, landscapes, buildings, and sculptures. The sketchbook also includes watercolour sketches accompanied by notes and quotations.

21 glass plate negatives showing people and buildings around the former town of Newbridge, Ontario.

Collection consists of three manuscript German prayer books dating from 1783 to the late 19th century. Each book contains a series of prayers such as communion, confession, morning, and evening prayers, in addition to examples of Fraktur (folk) art in ink and watercolour.

Collection consists of two prints of Sir Robert Peel and Lord Nelson. They are printed by George Baxter as an oil colour picture print, the first commercially viable colour printing.

File consists of nineteen woodcut prints by Elizabeth Rivers. Some of the prints are signed and numbered and include captions.

File consists of one letter from Christian Enslin, bookseller and bookbinder, Waterloo, Ontario to Fredrick Heinitsch, M.D., Lancaster, Pennsylvania requesting the right to "Mother Drops", a medicine created by Dr. Heinitsch on which he held the patent.
The letter also includes information on bookbinding and printing practices in Upper Canada and makes reference to local figures such as Benjamin Eby, Bishop of the Mennonites.

Fonds consists of one charcoal drawing of a George Barrie print titled "The Old Mill." There is no signature on the drawing. Also includes a print of The Old Mill.

This collection, donated to the University of Waterloo in 1988 by the family of the late Rosa Breithaupt Hewetson Clark and Spencer Clark, includes family papers from three families, the Breithaupt family, the Hewetson family, and the Clark family; records from the Guild of All Arts in Scarborough, Ontario, founded by Rosa Breithaupt Hewetson Clark and Spencer Clark; and several smaller collections acquired by the Breithaupt family and by Spencer Clark. The personal library of Spencer Clark, which includes many books, periodicals, government documents, and ephemeral items, was donated together with the archival collections, and is particularly strong in the fields of urban planning, architecture, and Canadian art.

Collection contains prints of Canadian landscapes done by William Henry Bartlett in 1841 and portraits of prominent 17th and 18th century politicians from Europe and Canada. Also included are letters from English prime ministers dating around the 1700s. The collection is arranged in one series consisting of print engravings, a file of Bartlett prints, and a scrapbook containing letters.

Fonds consists of one charcoal drawing by Arthur Lismer of Elizabeth Styring Nutt of Halifax. Elizabeth was principal of the Victoria School of Art and Design in Halifax (later NSCAD) in the period immediately following Lismer's time there.

Fonds consists of four prints titled "A.R.H." by Olivia Carvalho. The prints feature a portrait and handwriting of Alice Riggs Hunt.

One print of the library of All Souls College. Original drawing by A. Pugin.